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Production Music

Production music refers to music which is owned by production music libraries.

Generally the music is composed particularly for use in Film, Radio, TV, multimedia plus Business.

Since these libraries generally own all of the rights in the music they can licence it right without the requirement to gain permission from composers or perhaps writers. It can thus be licensed right away with an obvious cost to the end user.

The good thing about a production music library is that it is able to cater to a wide variety of musical styles as well as themes with many libraries holding ten of thousands of cuts and tracks.

Production music gives producers and directors a platform from which to choose audio that is suitable for their brief or project. Libraries often have tracks relevant to current musical genres, culture, charts and styles. Many libraries will hold music across the entire spectrum of music history and include Classical, Jazz, Blues, Rock n Roll, Dance and Reggae – amongst a host of contemporary collections or themes created for media or business applications.

The convenience factor means that anybody who needs production library music is able to select from a massive range of styles, access the audio from one place and learn exactly how much it will cost. Most libraries have Rate Cards so producers can budget for the prices of a project in advance.

Their is the peace of mind that a great many libraries will frequently have a piece of music suited for things of course, if not will help you to find some. Many will in addition offer custom music production services.

History of Production Music

Typical music for production has been in existence since the days of silent cinema. In those days the audio was supplied in form that is written and sent over to small bands and orchestras who would perform the sound live in time with the film.

Since then a lot of production music companies have established sound and audio libraries. These include Boozy & Hawkes, Cavendish, Sonoton, Extreme Music, EMI, Sony BMG, KPM, de Wolfe and Many others.

Traditionally, music libraries sent out the music collections of theirs on CD. These days it is a lot more prone to be accessed via the internet, file downloading, hard disk or even CD’s, CD-Rom, DVD-Rom

Production Music Online

The Internet has enabled music for production to be distributed online via downloading. It’s also given a platform for new corporations and libraries to set up independently.

There are now many production music libraries online. The cost and quality is able to vary enormously as can the actual license terms or perhaps use of the music. However production music downloads today appear to be the preferred method for many media professionals around the planet.

Royalty Free Music

Royalty free music varies somewhat to the attributes of production music.

Production music has often been licensed on a pay-per-use basis. That’s you pay for each and every use of the music – If you want to use music on a television set show then you license the rights for that. If you want to in addition use that music on an interactive CD Rom then you will want to license those rights.

Royalty free music on the other hand offers customers a way of getting a CD of the music that can then be used as often as you like without any further payments or even fees.

However the Internet and other issues has meant that lots of royalty free music libraries now operate similar to traditional production music libraries and or vice versa.

This’s most likely caused by the development of independent music libraries who can produce their own personal license and finance models according to their very own marketplace requirements.

Sync Fees and Dub Fees

A fee for the licensing of their music is charged by a Production music company. This’s usually referred to a’ Synchronization Fee’ or’ Dub Fee’. This is among the main income streams for music libraries.

Performing Rights Organisations

Performing Rights Organisations (PRO’s) protect, administer and collect performance royalties on behalf of its member composers, publishers and artists.

Performance royalties are generated when music is broadcast on Radio or TV or even played in places which are public like other business spaces and restaurants.

Music which is publicly performed or perhaps broadcast has to be licensed. For instance a broadcaster including the BBC or SKY has to pay to broadcast music as do restaurants, users and shops of music on hold systems and others.

These licenses are issued by PRO’s to music users whenever music is broadcast to the public. The revenues from these licenses will be collected and split up between all of the members of that particular PRO.

Most countries have their very own PRO such as PRS (UK), ASCAP (USA), GEMA (Germany). Many countries have a lot more than one.

See Soundcloud Promotion of Performing Rights Organisations

Music libraries are usually also music publishers. The musical works of theirs are published via a PRO and any broadcast or public performance of that music will accrue performance royalties.

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